Sixteen-year-old Kate Mansfield and her blind brother Neil live in a manor on the edge of the Brent Prior moors. It is a dreary place populated by the dispirited and the disillusioned, where the young nurture desperate dreams of escape. And Kate is no different. But her plans to run away to the city are crushed one very ordinary morning when the quiet in Brent Prior is shattered by an … inexplicable act of violence.
In the wake of the tragedy, Kate’s beloved father is stricken by a strange illness, and she and her brother fall under the care of the manor’s caretaker and maid.
Then, as if attuned to the melancholy that has stricken Mansfield House, a fog rolls in. Villagers begin to vanish.There are frightening accounts of monstrous things glimpsed stalking the night, and a disfigured man arrives in Brent Prior.
A man who has come back to settle an old score.
A man who calls himself the Master of the Moors.
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I’ve probably read 6 or 7 of KPB’s novellas and 2 or 3 of his short story collections, but previous to this, I’d only read his novel ‘Kin,’ which was a blast. Kealan (or KPB to me!) has become a master of writing short fiction and novella length releases, and for many fans that’s what he’s known for. Well that, and his cover design work. But KPB has a number of long reads out, and I’ve had ‘Master of the Moors’ sitting on my Kindle for far too long. I was very happy to see it arrive at the top of my TBR list last week and I dove in, excited to see what was in store.
Strangely, and enjoyably, I found this book to almost be a sibling to John F.D. Taff’s ‘The Bell Witch.’ A historical piece (although this isn’t based specifically on a real event) written with a very similar style of prose.
What I liked: The story opens up with a frantic search along a foggy moor, a local man’s wife having been reported missing. From there Patrick Burke gives us a moving, haunting piece of things not always what they seem.
At its core, the book really does a great job of making the reader uncomfortable, and while the story itself has some truly shocking and disturbing moments (that opening sequence alone would make for a stunning novella) it is the atmosphere that KPB creates throughout that really was the highlight for this reader.
The characters are flawed people, which I really enjoyed. A prime example of this was the local physician who pines for the widowed barmaid, only to be made a fool and find himself in the fog.
What I didn’t like: I did find a few spots lagged a bit. Mainly the family dinner-type scenes. While necessary and did add to the tension between some characters, I wanted to know more about the rest of the events whenever these scenes arrived.
Why you should buy this: If you’ve not read Patrick Burke, this would be a great starting spot. You get his ability to inject every sentence with atmosphere and emotion. If you’ve read him before, but not this one, you know what you’re in for and get on it.
I really enjoyed this one and there are a half dozen scenes that have already worked there way into my brain to take their place where they’ll live forever. Creepy, haunting and filled with atmospheric dread, KPB really delivers with this full length.
“She is weeping.”
“The air thickens as if it has gained the weight of her misery.”
The atmospheric setting is as thick as the fog that rolls across and encapsulates the moors and there are beasts lurking, ever watchful, waiting for their moment of redemption. The Master of the Moors is seeking his revenge for a wrongful act perpetrated against a woman of his kind, a woman he loved.
That’s the imagery that filled my mind while reading this. The depth of the details induced the feeling of stepping into the pages, walking along side the characters, feeling their emotions. Having the sense of the surrounding darkness, the thickness of the fog, the inability to see what was among them. There was a constant sense of dread and chilling fear. The not knowing.
There is also the sense of the strong bond in the characters. Although there is also animosity between some of them, their lives are intertwined. They are deep seated in the gloom of the moors.
I positively loved this and was completely invested in the richness of the descriptive writing.