In the bleak future of West Angel City, Vanity Rose is having a great time. She has a loving robot caretaker, a fake elf for a sister, and she roams the walls of West Angel’s endless skyscrapers every night, thanks to her precious gravity shoes.What Vanity doesn’t have are money and adventure, but she has a plan to get both. She’s going to walk the dark side, joining the thieves and mercenaries … mercenaries who get paid to do all the little jobs that make a corrupt city go around. She’ll only have to deal with killer robots, vengeance-crazed and not very bright computer programs, cyborg vampires, telepathic capybaras, mean girl mech pilots, and have every homemade weapon in the city pointed at her.
Fourteen is old enough for that, right?
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Trippy, but a fun read.
I love the author’s Penny series, so I took a chance and picked this book up. You can be Cyborg when you’re Older, is a science fiction novel which incorporates elements of fantasy and horror to it and that makes it a bit hard to get into. Jumping from Mechs to fantasy elves in the span of a couple chapters is a bit disorienting.
With those criticisms out of the way, the characters are fun and interesting. The author’s writing style is always first rate. I found the author reminds me of Tim Burton’s films in that they both have slightly out there concepts, but always manage to make those elements strangely endearing to the reader/viewer.
Vanity Rose is a great lead character and her Fry Smiley nemesis in the novel was awesome. It reminded me of Microsoft’s dreaded Clippy, and who hasn’t wanted to kill that abomination?
If you can get over all the genre blending in the book, You can be a Cyborg when you’re Older makes for an enjoyable yarn.
YOU CAN BE A CYBORG WHEN YOU’RE OLDER is a Young Adult affectionate parody of 80s cyberpunk. It’s an interesting twist, implementing a lot of tropes that only adult readers will get and not necessarily all of them but also a great way of introducing the genre to people who wouldn’t normally be familiar with it. It also takes a number of pot shots at the sillier ideas in the world of neon, rain, androids, and street samurai. As a fan of both cyberpunk and Richard Robert’s PLEASE DONT TELL MY PARENTS I’M A SUPERVILLAIN series, I was very excited to get into this book.
The premise is that an orphanage in the most run-down part of a decaying urban hellscape is run by a malfunctioning but benevolent gynoid named Ms. Understanding. Vanity Rose is the 14 year old antiheroine of the book that is cursed with machine telepathy (a disability in her world) and fear for the orphanage shutting down at any time.
Vanity decides to raise some money for her home and the best way to do that turns out to be organized crime for corporate thugs. However, this turns out to be harder than it sounds (and it sounds quite difficult). Vanity soon finds herself on the run from several shady characters and reliant on her fellow oddball orphans to get out of the mess she’s gotten herself into.
Richard Roberts has an immense love of cyberpunk and it shows with every page, making frequent homages to everything from literature to anime to video games. I also think I spotted a few tabletop RPG references as well. That doesn’t mean his world is unorginal, though. Indeed, there’s several surreal and satirical elements that make it quite fascinating. For instance, one of the largest religions in West Angel City is the Enchanted. People who use bio-modding, cybernetics, and costume jewelry to live their lives in a perpetual World of Warcraft LARP. Except the elves and necromancers are actually willing to kill each other.
There’s a couple of gratuitous references as well, like when Vanity spends a chapter as a teenage mecha pilot but these things are likely to bring a smile to your face if you’re familiar with the sources the author is drawing from. However, I actually came to really like the garish and strange world that the book depicts. There’s even a decent description of a robotic society created from those cast offs that have been left behind to carry out their tasks long after their masters have abandoned them.
Vanity is a good lead character even if I think that making her sixteen years old would have probably fit the storyline better. She does a little too many roof jumping and hacking things for me to buy her as a preteen. Still, it’s nice to have a well-adjusted cyberpunk heroine and the fact that the only reason she doesn’t swear up a storm is because of a literal profanity filter built into her brain. That was a clever way of acknowledging her “punkness” would never fly in a typical YA book.
The weird juxtaposition of fairy tale and Eighties cyberpunk is really the heart of this strange brew as you have a technologically created Old Mother Hubbard, elves, undead, and magic combined with all the trappings of Neuromancer as well as Snow Crash. Really, it’s surprising it’s not MORE like Shadowrun given how crazy it all is. I’ll admit that it took a bit to fully immerse myself in the world but by the time I did, I absolutely loved it and declare this my favorite of his books. I recommend between text and audiobook that fans check out the Arielle Delisle narrated version as she does a fantastic job bringing the characters to life.