Sequel to Amber Allure Best-Seller Master Of Obsidian… Beauty is in the eye of the master… Gideon Keel and Jesse Madding have seen dozens of gruesome crime scenes over the years, but nothing compares to the grisly discovery they make in a small apartment above a sporting goods store. The body has clearly been put on display, and clues in the apartment indicate that while the woman was dying, … that while the woman was dying, party guests were enjoying rich caviar and expensive champagne. The two men are mystified.
They receive help from an unexpected source–a young woman they rescue from an auction at the vampire club, Sangre. Emma Coolidge is determined to save her sister from the same monsters Gideon and Jesse are hunting. While both men are utterly fascinated by her beauty, her intelligence, and her rare talent as an empath, they value her for her friendship. The three plan a sting operation to infiltrate the small group of “art connoisseurs” by sadistically turning Jesse into a living work of art, but will it be enough to save Chicago from more vicious murders in the name of beauty?
Genres: Gay / Dark Fantasy / Vampire / BDSM / Mystery / Detective / Group Sex / Exhibitionism / Public Places / Voyeurism / Series
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Gideon and Jesse work together as private investigators and after years of friendship, become an established couple in book one. This isn’t difficult to follow if you haven’t read the first book, but your understanding of the characters will be very different. The case investigated here revolves around a missing young woman found killed after an exclusive party. Right after leaving a hideous crime scene where Jesse is emotionally devastated, Jesse and Gideon go to the vampire club Sangre where they participate in a gang bang that involves other vampires and a lot of blood. Why this isn’t traumatic for Jesse after the way the woman was killed, is a mystery to me. While there they rescue an empath named Emma who can sense and transmit the feelings of others.
The world building never had a hint of anything else paranormal except vampires, so it felt abrupt to have an empath thrown in to this world. The vampires must know Gideon works with the police. Why would they do anything illegal like sell him a human slave? They were able to rescue Emma because no one already “owned” her, so if she had already been bought, they wouldn’t have helped her? The author seems to skirt the line, maybe not wanting to go into non consensual territory, but that’s too little too late with these characters. Clearly there are limits and rules as to when they are the good guys. In book one, Gideon is not always shown in the best light so it felt like here, Emma was used to reassure the audience (and Michelle and Jesse) that he really is a good guy. I’m not sure why this is actually necessary since the audience can have more of Gideon’s POV any time the author chooses to write more of it. Both main characters seem pansexual so adding Emma into their mix wouldn’t be too unexpected if it were just sex, but laying the groundwork to add her to their relationship was unexpected. In this book, she is just used for titillation–a will they, won’t they–that could be expanded upon in later books.
Emma is also utilized to give them a lead on the case; she was taken while trying to find her sister, who went missing after dating a vampire. I didn’t like when a scene suddenly switched to Emma’s point of view for a very short time. The usual POV is Jesse’s. However, once Gideon and Jesse go undercover, Emma goes to help Michelle and there needed to be another point of view as action happens in different places. As the only other established character, I am unclear why this couldn’t have been Michelle’s POV. My concern is that because she’s a lesbian, and therefore will not be having sex with Jesse or Gideon, her POV is considered unimportant. For me, this seemed like a lost opportunity.
The interaction between law enforcement and the private investigators is really lacking. The world is built with humans knowing about vampires, but this is another situation where the author seems to hedge and not commit to that. Why are the police not asking Gideon for help on vampire cases? Why do the police only raid the party when Gideon says so? This is written as Gideon being the only vampire who actually cares about humans, but then the author has Rina, who was friends with the murdered woman, and promptly dismisses her of being capable of being a complex person.
While the use of humans, alive or dead, to entertain the wealthy is not an original idea, the “art” created by Jesse and Gideon with Emma’s help sounded interesting. Sadly, it wasn’t described in a way that came alive as scenery, it was used as a means to an end. The other artists and their creations weren’t shown, even though the story was Gideon’s POV at that point. Then, the final confrontation with the killer(s) fizzled out. In the end, I felt like I was left with many sex scenes, some more successful than others, without an intriguing enough plot or emotional connection to the characters to hold them all together.