“A breezy, straightforward approach to time travel featuring unforgettable characters.” – Kirkus Reviews Time Benders and the Machine For fans of Margaret Peterson Haddix’s The Missing and Ransom Riggs’ Miss Peregrine’s Peculiar Children, four orphaned siblings discover the ability to travel through time and change history in Time Benders and the Machine. On a sunny day in 1974, the Fitzgerald … 1974, the Fitzgerald siblings learn that their parents have died in a tragic accident. Devastated, the children are sent to boarding school at Choate Rosemary Hall–the same boarding school that their father and John F. Kennedy went to when they were younger, their Aunt tells them.
Athletic, popular, football star Ken is the eldest Fitzgerald, and suddenly burdened with the responsibility of caring for his three younger siblings. Deb, a year younger, prefers books and the library to socializing, drawn to history and archaeology and hoping to find her way in Choate’s structured order. Joe is racked with sorrow over his parent’s deaths and determined to find a way to either get them back or make them proud. Kim, the youngest, is only ten years old and just trying to make new friends and keep close to her sister and brothers.
When Joe finds an elaborate math problem and solves it, with the help of the reclusive caretaker, Mr. Brewster, the Fitzgerald’s discover that they have unlocked the secrets of how to bend time and time travel. Together, they devise a plan to go back in time, change a pivotal moment in US history, and impact their parents’ lives in the hopes of stopping the terrible accident that brought them to boarding school. Along the way they face looming spiritual and moral questions, while finding their way toward closeness and a path through their grief.
With shades of C.S. Lewis’s Pevensie siblings and the wonder of Philip Pullman’s His Dark Materials, JB Yanni’s Time Benders and the Machine is a time traveling adventure full of heart and soul.
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When the four Fitzgerald children are orphaned, their aunt sends them off to boarding school. There, the four siblings grow closer than they had ever been before, as they rely on each other in their grieving and new, sudden situation. As the kids settle into life at the school, eldest sibling Ken begins to investigate the circumstances surrounding their aunt taking custody of the kids and excluding them from the will reading. Meanwhile, his brother Joe, a math and science whiz, finds a fascinating math problem, coupled with a machine. When he discovers that the calculation might just be the secret to time travel, the kids have to decide whether or not they should go back and prevent their parents’ death, and how they would even do that.
I have to say that this book was really not for me. There were two main areas that brought the story down the most for me, and sadly one of them was the plot itself. The other area was the writing style. I’ll explain a little:
Time travel plots can be difficult to do well, and since they always require suspension of disbelief, for some people, it doesn’t pay to be too picky about what you’re expecting from one. However, the assumptions the kids make in this book about how time travel would work for them and anyone who didn’t come along on the trip make no logical sense to me. And even when they see evidence that it doesn’t work that way, I don’t see them re-thinking their ideas. Also, they decide to go back and change a major point in history (won’t say what it is due to spoilers), because they feel that it will stop the beginning of a long progression of events that led to their parents death. And yet, they say more than once that they’re sure changing this major point won’t affect their friends’ families and lives. Even after saying that this event will potentially change another event in history, which affected millions of lives. It just makes no sense to me. And it’s not because they’re kids, since they’re generally shown to be smart (the oldest, who isn’t even one of the professed brains in the family, is going to Harvard). Oh, and I almost forgot that as the kids debate whether they even should go back to stop their parents’ deaths or not, their arguments actually make it seem like they’re against doing it…even as they decide to do it.
The writing itself seemed like it needed some more work. From the very beginning the dialog just felt stilted, and I realized that the kids don’t use contractions as much as an average person in America would. A lot of the story is told in a way that feels very zoomed out, rather than up close to the action. Conversations are told to the reader, rather than shown. For example, “she told him she wanted to go to the store, and he said he thought that was a good idea,” rather than seeing the actual conversations taking place. Coupled with these zoomed-out conversations having little to no explanation of what anyone was doing while talking, they felt shallow. A lot of the time, the story felt more like an outline (though granted, a really detailed outline) than a final draft.
I found the question of whether or not there was something sinister in the way Aunt Alicia handled the estate and kids she was charged with after her sister’s death more interesting than the time travel part of the story, which is sad, because it kind of fizzled out. The rest of the plot involved everyday life for the kids–they had classes, holidays away from school, got boyfriends/girlfriends, at least one lost a boyfriend/girlfriend, etc. I think far too much of that was shown, considering how little it affected the plot, but it probably wouldn’t have bothered me too much without the other issues I’ve mentioned, or if it would have at least served to show the kids’ personalities more. But there wasn’t much there.
I found this book when I saw the author was putting out the 2nd in the series, and wanted to see if it would be a good series to get into. Even though the first book ends on a huge cliffhanger, I don’t think it hooked me enough to put money into reading the next one. There may be an audience out there for this book, and it might just be the teenage audience that it’s meant for, though I personally wouldn’t recommend it to the YA group either. The book is in at least 1 Christian category on Amazon, and I could see where some of that was trying to come out. It might be brought out more in the next installment, but I can only speculate. I applaud the author for the work she’s put into this book, truly, but I think it needs quite a bit more work to be the great book it could be.