“Vivid and elliptical… If you’ve ever asked yourself what would have happened if Philip Marlowe had been Odysseus… here is a clue to the answer.”
—New Worlds
THE HUGO AWARD-WINNING FIRST NOVEL EVER WRITTEN BY THE BESTSELLING AUTHOR OF THE CHRONICLES OF AMBER!
Conrad Nomikos has a long, rich personal history that he’d rather not talk about. And, as Arts Commissioner, he’s been given a job … he’s been given a job he’d rather not do. Escorting an alien grandee on a guided tour of the shattered remains of Earth is not something he relishes-especially when it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself!
“Roger Zelazny [was] the compleat New Wave author, so daring he could pen nothing without perturbing some creaky icon… so strong a writer, so moving in the sweep of his plots and imagery.”—David Brin
Roger Zelazny was a three-time Nebula Award and six-time Hugo Award-winning author of science fiction and fantasy classics, including the short stories “24 Views of Mount Fuji, by Hokusai,” “Permafrost,” and “Home is the Hangman.” Zelazny was the bestselling author of the ten-volume Chronicles of Amber series of fantasy novels, as well as the novels Lord of Light, and Psychoshop (written with Alfred Bester). Zelazny’s novel Damnation Alley served as the basis for the 1972 cult film of the same name, starring Jan Michael Vincent and George Peppard.
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Zelazny won the Hugo for this novel and it’s easy to see why. Conrad (of the many names) is a fascinating man and the immortal of the title moving through a vividly and poetically depicted post-apocalyptic earth which is supported economically almost totally be alien tourists fascinated by earth’s history and the near destruction of the planet in the Three Day War. There is depth of thought regarding this future society evident in almost every page and yet never once did I have that experience of wondering, “Why is Zelazny telling me this now? Why can’t we get on with the story?”
The plot revolves around a rich Vegan who wants to write a travel guide to earth’s most important sightseeing spots starting with Egypt and the Great Pyramids. Conrad is an official in the government agency in charge of protecting the historical monuments. He doesn’t want to play tour guide especially after it becomes clear that some of the humans who attach themselves to the tour want to see the Vegan die before he leaves earth. They worry that the alien’s real purpose is to lay the groundwork for the Vegans to buy up the rest of the planet.
This is where Zelazny truly shows his depth because much of the plot revolves around a political terrorist group who have embraced the ideology of Returnism—wanting all humans to return to earth and make it an independent planet again. Conrad actually started this movement and led the terrorist cell in an earlier life, but came to a point where he believed that it was not capable of achieving the Returnist aim and set about instead exploring other paths. As with many diasporas, most humans don’t live on the planet anymore and the sad truth the Returnists don’t want to face is that second and third generation humans who have never seen earth don’t want to return there at all. Their lives are elsewhere now, but the fanatics can’t give up the dream and have become certain that killing this Vegan is the key to earth’s eventual independence.
To achieve their end they have hired a fascinating assassin named Hasan who, thanks to a quirky response to a longevity procedure, is also effectively immortal (at least he’s lived for a very long time as a young man). Conrad and he know each other well but now they are reluctantly on opposite sides of the Vegan problem.
As if this tension wasn’t enough, the post-apocalyptic earth is a very dangerous place with mutations giving rise to legends out of myth and other monsters. Over all, it’s just a delightful tale filled with Zelazny’s brush-stroke characterizations that hang in the mind years after you read the piece.
This time through I listened to an audio edition narrated by Victor Bevine. At first I thought his slow rate of speech was going to wreck the novel. (I never think of Zelazny’s books as slow moving.) Fortunately, I quickly came to love the nuance with which he shared Zelazny’s prose and brought his characters to life. Whether in print or in audio, this book is worthy of its Hugo and well worth your time.
One of his best