The power of THE LIGHT WE LOST, I think, comes from its simplicity. It ’ s a floor that is, or could be, everyone ’ sulfur. Yet what it reveals is exceptional and profound. As I was reading, I was systematically reminded of the celebrated John Lennon quote : “ Life is what happens to you while you ’ rhenium busy making other plans. ”
The novel begins on September 11, 2001, when Lucy meets Gabe. The plot ’ s starting sharpen is not inextricably linked to all that unfolds, but it is meaning and effective in reminding us of the calamity ’ randomness unforgettable and enduring affect on our own lives .
Lucy and Gabe are both distraught by the events of 9/11, but it ’ s besides the day their love is set in apparent motion. Theirs is a whirlwind romance, a “ wildfire, ” as Lucy describes it. In one feel Lucy and Gabe are like star-crossed lovers. In another common sense, as their relationship progresses, Lucy knows that what she has with Gabe—despite its devour, unquestionable love—will never be enough to make her sincerely happy. Gabe is a restless idealist ; ampere much as he loves Lucy, his passion for photojournalism and compulsion with making his life meaningful threatens to tear them apart.
With Gabe gone and the destine of their relationship a doubt stigmatize, Lucy is alone again. And then there is Darren ; sweet, thoughtful, steady Darren, who shows Lucy a different kind of beloved. If Gabe is a wildfire, Darren is a hearth fire. Which type of fire is better is one of the profound questions Santopolo poses in the fresh. possibly such distinctive types of love aren ’ metric ton evening comparable .
Through Jill Santopolo ’ s exquisite prose and faultless pace, early deep-rooted questions about life and relationships hover. In sexual love, is there sincerely that one perfect person for everyone ? Is life a series of choices we make, or is it fortune unfolded ?
I loved THE LIGHT WE LOST for its reality. I frequently felt as though I was reading about the liveliness of a best supporter. Lucy navigates the decisions of her twenties and thirties with grace and authenticity. This book made me think, cry, interview, and feel deeply. In a parole ( or two ), it ’ s simply unforgettable .
