‘Laura is a masterful writer, her deliciously gothic stories so skilfully woven that you can’t get them out of your head even if you wanted to’ Stacey Halls, author of The Familiars’The Corset is a contender for my Book of the Year. Beautifully written, intricately plotted, a masterpiece’ Sarah HilaryIs prisoner Ruth Butterham mad or a murderer? Victim or villain?Dorothea Truelove is young, … villain?Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea’s charitable work leads her to Oakgate Prison, she finds herself drawn to Ruth, a teenage seamstress – and self-confessed murderess – who nurses a dark and uncanny secret. A secret that is leading her straight to the gallows. As Ruth reveals her disturbing past to Dorothea, the fates of these two women entwine, and with every revelation, a new layer of doubt is cast… Can Ruth be trusted? Is she mad, or a murderer?Bone China, the new Daphne du Maurier-esque chiller from Laura Purcell, is out now.
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This is a difficult book to review without giving away spoilers. But boy, it’s a book which stays with you for some time.
Dorothea, a young, wealthy woman studies the science of phrenology by visiting women in jail. She meets sixteen-year-old Ruth, who is facing the death penalty for murder. Dorothea wants to test her theory that the shape of a skull reflects a person’s propensity for crime and redemption. After getting to know Ruth, she considers another idea, which is that it may be possible to kill with a needle and thread by supernatural means.
Set in Victorian, England this is a fascinating read as we enter the points of view of both women. Ruth tells Dorothea her story; her childhood, dictated by poverty and horrific circumstances meant she had little choice than to become a seamstress for a madwoman. When she loses the people she loves, she takes on the blame. Sewing herself into a corset, she believes it offers protection from the needle’s evil power to do bad things to the people she sews for.
Dorothea’s ideas are challenged by Ruth’s frankness and she struggles to believe her story. She identifies with Ruth – their mothers both died when they were young. Their fathers are weak. Dorothea, secretly in love with policeman, David, is an unmarried twenty-five-year woman turned Catholic. Her father is desperate to get her off his hands by marrying her off to anyone eligible he finds and Thomas is perfect. She has other ideas and when her father announces that he is to remarry, she takes matters into her own hands with disastrous consequences.
The themes of poverty and wealth in society are explored particularly for women whose wealth is dependent on men. It was fascinating to learn about debtor’s prisons where prisoners were unable to earn money to pay their debts and so were doomed as soon as they entered.
As a reader, we’re swept up with the idea of superstition and the ‘magic’ of the needle and thread. Purcell weaves an intricate and clever plot with unexpected twists and turns. I wondered about the two men in Dorothea’s life – David and Thomas – who seemed to fade away and I would have liked to know what happened to them. However, this may be deliberate as we are left wondering about Dorothea and what she has become, long after the last page. The ending is masterful and reading each word carefully is a must. It’s a pity I can’t reveal more.
It’s a definite page-turner, although grisly and gruesome in parts. Beware! Just check it out for yourself.
Intricately woven tale of a seamstress who is either mad or a murderer.
A Victorian Gothic novel with a slightly off-kilter narrator, a decent villain and a good twist at the end (not entirely unpredictable, but still satisfying). Very well written. Got me saying ‘just one more chapter’. Recommended.
I loved Laura Purcell’s previous offering, The Silent Companions, and The Corset didn’t disappoint. It’s creepy, infectious, and crawls under your skin to worry at you when you’re not consciously thinking about it. The dual perspective works well to contrast the two narrators and Purcell writes first person narratives like an absolute boss. Can’t wait to see what she writes next!