“At once comic, heart-breaking, and life-affirming.”
—Tish Cohen, author of Town House
“Imagine if Bridget Jones fell into a million little pieces, flew over the cuckoo’s nest, and befriended Lindsay Lohan along the way, and you are beginning to grasp the literary roller coaster ride that is Catherine McKenzie’s Spin.”
—Leah McLaren, author of The Continuity Girl
How far would you go to get … you go to get what you wanted? That’s the question author Catherine McKenzie addresses in Spin—a delectable debut novel that takes readers into the connected worlds of pop culture, tabloid journalism, and celebrity rehab. The story of a newbie undercover gossip reporter who follows a troubled starlet into a rehab clinic intending to dig up all the dirt she possibly can, Spin is smart, hip, utterly engaging contemporary fiction in the vein of Jennifer Weiner and Emily Giffin.
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Given its premise, author Catherine McKenzie’s debut novel, Spin, could have been predictable and thoroughly unremarkable. After all, it is not hard to foresee that Katie’s time in rehab is going to be life-changing and she will arrive at a moral crossroads after she finds herself caring about Amber, the troubled young actress she has been sent to spy on. In McKenzie’s capable hands, however, those obvious plot developments are only part of a clever, surprising, and touching story about a young woman whose denial and avoidance of reality have consigned her to sleep-walking through her own life.
Katie’s parents were former hippies and her father counseled her not to stay away from drugs and alcohol, but to limit her choices. He even provided her with a taste of champagne when she was a mere four years old, leading to an incident that is parent of her family’s lore. Katie took his advice seriously and has been a serious drinker for quite a few years. It’s likely that the only reason she hasn’t lost many jobs is her status as a freelance writer. On the eve of her thirtieth birthday, she has amassed few markers of adulthood — not even her own home. Rather, she shares a small apartment with Joanne, the grumpy-but-good-hearted roommate from whom she pilfers good wine and food. She loves her parents, but her relationship with her sister, a married elementary school teacher, is strained. She hasn’t been home in more than four years. Mostly, Katie writes enough to barely support herself between partying with her small group of friends, including Greer, a Scottish beauty who believes Katie is only twenty-five and still in graduate school. She also spends a lot of time alone, watching television and hoping Joanne won’t notice how much of her wine collection has gone missing.
When Katie accepts the undercover assignment because it promises another shot at a job with The Line, her only perception of Amber is founded upon what she has seen in the media. Katie believes Amber is merely a spoiled Hollywood princess with a substance abuse problem, utterly failing to pause and consider the ethical implications of relaying intimate details about Amber’s treatment to a gossip magazine. She is also so enamored with the promise of scoring her dream job that she never thinks about the fact that she will be posing as a patient and required to participate in the program.
All of her shortcomings make Katie both fascinating and empathetic, a somewhat typically self-absorbed twenty-something-year-old woman on the cusp of what is supposed to come next in her life, if she can just figure out what that is. From the outset, Katie is hapless and thoughtless, but McKenzie manages to also make her likable so that her readers willingly sign on for her rehab adventure, hoping that it will lead to a happy ending for her.
McKenzie wisely surrounds Katie with a cast of supporting characters that keep readers interested, including Amber and her on-again, off-again boyfriend, Connor, Hollywood’s Young James Bond, who shows up in the same treatment facility, further complicating matters. Connor has been allowed to bring a mini-entourage in the form of his handsome assistant, Henry. As Katie insinuates herself into Amber’s confidence, she gets to know Connor and Henry, along with why Amber is so troubled in spite of her enormous success. The rehab facility, along with its eclectic group of patients and staff, becomes an integral character in the story, as well.
Kate reluctantly acknowledges her drinking problem, as well as the reasons for it. But McKenzie throws in enough surprising plot twists to keep readers entertained despite the overarching story’s predictability. Some are hilarious, others poignant. Of course, Katie also learns to care about Amber and her hand is ultimately forced: Will she complete the assignment or face the consequences of not doing so? McKenzie cleverly throws in a few plot developments that make the story’s climactic resolution both interesting and emotionally satisfying. Spin is a coming-of-age story with a very big heart. Despite all of her short-sighted choices, and the moral and ethic conundrums they create, Katie’s humanity and vulnerability drive the story, transforming her from a potentially reprehensible character into a highly relatable one for whom readers will find themselves cheering.
Spin shows that McKenzie, like Katie, is a talented writer worthy of the accolades she has received.
Thanks to NetGalley for an Advance Reader’s Copy of the book.
Kate is a mess. She dreams of being a writer, and has landed an interview for her dream job. But prior to her interview, she gets so drunk the night before that she is still drunk at her interview. Obviously, things don’t go well. Yet, she is given another chance, if she writes a gossip column about a star in rehab. This means she also has to go to rehab, and ends up finding out a lot about herself.
I don’t enjoy books where the protagonist is a drunk, although Kate does eventually get clean. So that likely skewed my opinion of the book. I did enjoy that Kate had to go through low points before things got better. This is McKenzie’s debut novel, and I have read many of her other books, and have enjoyed them.