Previously published as How Not to Die Alone Smart, darkly funny, and life-affirming, for fans of Eleanor Oliphant Is Completely Fine, Something to Live For is the bighearted debut novel we all need, a story about love, loneliness, and the importance of taking a chance when we feel we have the most to lose. “Off-beat and winning…Gives resiliency and the triumph of the human spirit a good name.” … the triumph of the human spirit a good name.” —The Wall Street Journal
All Andrew wants is to be normal. That’s why his coworkers believe he has the perfect wife and two children waiting at home for him after a long day. But the truth is, his life isn’t exactly as people think . . . and his little white lie is about to catch up with him. Because in all of Andrew’s efforts to fit in, he’s forgotten one important thing: how to really live. And maybe, it’s finally time for him to start.
“Roper illuminates Andrew’s interior life to reveal not what an odd duck he is, but what odd ducks we all are.” —The New York Times Book Review
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Please note, originally, this review was posted in How Not to Die Alone. See below* for explanation.
As I write this review, I’m trying not to get misty eyed. Okay, at first the book is so funny I laughed so hard I cried. When Andrew goes to his job interview, it’s simply priceless. But as a reader I had no idea why he decides to spin a white lie. A few years later, as Andrews takes a new hire under his wing, he decides the lie that got him the job no longer fits. As he forges a bond he starts to undo the strands, filaments of untruths, that have kept him safe. So as Andrew starts to make a connection with someone that possibly saves his life, he must break free from the past. We learn the truth and it’s heartbreaking.
Takeaway: Mr. Richard Roper author writes the wittiest, driest dialogue and it’s unforgettable as is his ability to tell a story that will rip out your heart and hand it back to you.
Yes, I read it twice and yes I bought the audio version, which in my opinion is simply delightful!!!
*Note: the story was renamed to Something to Live For (possibly due to the Covid epidemic, I’m not sure. Anyway, I’m posting this review for both books.)
Lastly, I hope Hollywood makes a movie of How Not to Die Alone, then I can buy the DVD and watch it a gazillion times!
Andrew works for the Death Department. His job is to pick through the homes of the recently deceased to try to find a next of kin, and any money that can be used to cover funeral expenses. His days follow a routine, though his imaginary life provides quite a bit of color to the mundane. Until Peggy starts working with him. More spontaneous and open than he, she brings a colorful streak into his life, one that has him wondering if he’s doing this whole life thing wrong, and maybe he should start living more.
I saw this book on Netgalley last year, when it was titled How Not to Die Alone. But, since I’d only recently started with Netgalley and this was published by a major publisher, I forced myself to pass on it and pick it up in the bookstore instead. Last summer, a few months after it was released, I did see a beautiful hardcover copy in our local bookstore, but I already had my arms full of books, so had to pass again. When I saw it, for the third time, back on Netgalley under a new title, I knew I was supposed to at least try to read it. Even though I’m approved more often from major publishers, I’m still surprised when I get a book, so I’ve really been looking forward to this one. Of course, I much prefer the funnier original title, but the book is still a lot of fun, probably regardless of what it’s called.
The Characters: Quite Amusingly Proper
All of the characters are terribly, properly British, which shouldn’t be surprising as it takes place in London. I’m always amused by how they come off as much more liberated than the usual stoic, proper stereotype, though there still is quite a bit of the proper Brit that comes out! These characters were no exception. They were very proper, even worrying a bit about how they appeared to others, but also seemed so much more open about drinking and sex as though it’s quite normal in day-to-day life. And maybe it is. I’ve only met a handful of British people in person and they all seemed very polite and proper, so I couldn’t say for sure. But I was constantly amused by these characters. They were fun and annoying and had many sides to them.
At first, I found them to not be terribly exciting. Their lives, especially Andrew’s, felt quite boring and routine, very mundane, though Andrew’s imaginary life was incredibly fascinating. But then I got to know them and got to see them interact and react to each other. They were an odd bunch, but very upfront, and somehow cared about each other. They initially felt like disparate parts, but came together in interesting ways so that I was certain I didn’t want to see any of them go.
Andrew was most peculiar to me. I’ve tried looking it up and reading several reviews to see if my thoughts were in any way justified. It doesn’t look like it, but I kept getting the feeling he was on the autism spectrum. Of course, the way I know that disorder is also likely to differ from how it’s known in other countries as I reside in the US, but several of his quirks came off to me in such a way that I couldn’t help but wonder. Of course, there are likely cultural differences I don’t understand and maybe the characterization is quite normal in British society.
I adored Peggy. She was a splash of color next to Andrew, which really highlighted just how routine and mundane his life was. It almost made me sad. But she was so vibrant and so honest in her characterization that I couldn’t help but love her. She made mistakes, tried to believe the best in people, and really cared about others. It was hard to not like her.
The Setting: London, With Lots of Dead People
Much of the book takes place in London, but I didn’t get the feeling that fleshing out the setting was a big focus. It felt British in the way the characters behaved and spoke, but there were no long passages or descriptions to describe every detail of every street or house so it was clear this takes place in London.
Instead, it was very subtle, very well woven into the story. It was in the way the characters just popped into a pub in the middle of the day or routinely took the tube to and from work. I have no idea what any of the buildings looked like, how the streets were laid out, or even what people were wearing. It was delightful because I could focus on the people and the story and just feel like I was wandering along behind them, as though everything they saw was just so normal that it didn’t merit a whole paragraph of description. I suppose it assumed some knowledge of London, but I think it also made me believe this story could be happening anywhere, that someone could be lonely but choosing to try not to die alone.
The Plot: Sad and Funny
This managed to be both sad and funny. It went back and forth between the present and Andrew’s past, so the reader really gets a full picture of Andrew. It was absolutely Andrew’s story, anyways, what with him talking about his real and imagined lives and the changes he chooses to make. It’s the story of a lonely man who doesn’t fully know he’s lonely until Peggy breezes into his life. It’s the story of a man being brought back to life.
Still, it’s kind of morbid in the way is talks so much about death, though of course it deals with death since Andrew and Peggy work for the Death Department. I really like that that was where they worked since Andrew seemed almost in a dead state himself. And then the ending just felt perfect and I adored the changes Andrew went through and the realizations he had. It wasn’t easy for him, and he fought against it, but the tide of change was coming and he couldn’t do anything to stop it. It was incredibly sad, though, when his imaginary life came crashing down around him.
But this book is also funny. The characters were interesting and brought a lot of life to it. They each had their place in the story and each were revealed at the perfect time to add color to Andrew’s life and move the story along. They were funny, and I especially liked a parenthetical piece about a marshmallow. It was amusing in the way sometimes a sad situation needs a bit of brightness to lift the mood a little before it becomes somber again. This book had a brilliant balance of both while also providing glimmers of hope for Andrew.
The one thing I will complain about is that some of it felt too contrived. Like with the dinners Andrew’s boss forces everyone to do. It was key to getting the story going, but, since so many of his other ideas had fallen apart, it was surprising how this one was forced. There were a few other pieces that felt like they didn’t fit perfectly, but this was annoying and kept making me squirm in my seat.
Overall: Immensely Enjoyable, But Also Sad
Overall, I’m very glad I did finally get the chance to read this book, more than a year after How Not to Die Alone was first published. After having read so many novels by British authors that take place in and around Great Britain, it was easy to slide into this one and really helped me enjoy the story immensely. The characters were quirky and fun, very colorful and so different from each other. The story was sad, but lovely at the same time. It was a little boring at first, but then I became invested in Andrew’s life and just really wanted to find out how everything was going to crash down around him and what would happen next for him.
Thank you to Netgalley and the publisher for a free e-copy. All opinions expressed are my own.
When death surrounds you every day, you need to find something to live for.
Something to Live For by Richard Roper, previously titled How Not To Die Alone, is an incredible story about someone with nothing to lose finding a reason to live.
My thanks to G.P. Putnam’s Sons (Penguin House Group) and NetGalley for the advanced reader’s copy.
Andrew worked for the London authority responsible for ‘Section 46’, a public health statute that determined the disposal by burial or cremation of persons who died without relatives or means.
His job consisted of visiting the houses of people recently deceased in search of documents that might lead to family members or money to pay for the burial expenses.
These people died alone, some were not found for months. The houses smelled of death and decay, and facing this reality was a harsh reminder of how fragile life is and how things can change in a heartbeat.
It was worse for Andrew, who lived alone himself, having only his model trains as companions.
The story is so engaging and well-written. I love the way the author expressed Andrew’s internal turmoils. In one passage, he feels like “a trapdoor had opened above his head, and Polaroids were cascading down on him.”
I felt a deep connection to Andrew. He seemed so real to me. I felt his tension entering the houses, his insecurities, I could almost feel the unbearable odors.
Andrew is a very complex character. He is so broken inside, and yet so sweet and caring. One cannot but like and root for his happiness.
The side characters are gold: the neurotic boss, the egocentric co-workers, and the lovely and funny Peggy.
The dialogues are fun and witty, which is a most welcome diversion from the dreadness of Andrew’s work and the reality of what dying (and living) completely alone entails.
The narrative is well-woven and, although I was not completely clueless, I was pleasantly surprised by how it all ended.
This book makes one think about life, priorities, and how vital those grudges we hold to really are.
Great read! Highly recommended.
Disclosure: I received an ARC of this book via NetGalley in exchange for an honest review.
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