Weimar Berlin, 1924 Unemployed actors, profiteers, cabaret girls, and impoverished aristocracy – out of this wild set of characters populating Weimar Berlin, Margarete Gräfin von Steinhoff belongs to the latter category. Having lost everything due to hyper-inflation, she considers jumping into the freezing waters of the Spree rather than facing the humiliating existence shared by millions of her … millions of her fellow Germans. However, a chance meeting makes her change her mind at the last moment and offers her a chance to rely on the help of the metropolis itself, where anything can be sold and bought for money and where connections are everything. The bustling nightlife of cosmopolitan Berlin, with its casinos and dance halls, brings good income for the ones who don’t burden themselves too heavily with morals.
After a New Year’s Eve party, Margot finally meets her ever-absent and mysterious neighbor, Paul Schneider, who makes a living by producing a certain type of film for his rich clientele. Under his guidance, Margot discovers a new passion of hers – photography and soon, her talents are noticed by the prominent newspaper, Berliner Tageblatt itself. But being an official photographer of the most celebrated events of the La Scala and most famous Berlin theaters no longer satisfies Margot’s ambitions. As soon as the chance presents itself for her to get involved with the cinematography on the set of “Metropolis” – the film with the highest budget ever produced by the UFA – Margot jumps at it, without thinking twice. At the same time, Paul becomes involved with a rival project, “The Holy Mountain,” which stars an as yet unknown actress and an emerging director in, Leni Riefenstahl. As the two women meet, professional rivalry soon turns into a true friendship, fueled by their passion for cinematography. However, due to the economic woes facing Germany, both projects soon run out of money and now, both film crews must go to extreme lengths to save their respective productions.
Set against the backdrop of a decadent, vibrant, and fascinatingly liberal Weimar Berlin, “Metropolis” is a novel of survival, self-discovery, and self-sacrifice, in the name of art, love, and friendship.
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Decadent Berlin during the Weimar Republic, and the colorful characters involved in movie making, the cabaret, and the Demi monde. The story of the making of the film Metropolis is an interesting addition to the plot. The gritty survivors in this book are all part of the story of the turbulent time after WW1 and before the complete take over by the Nazis, who are an ominous presence through out the book.
Very different view of Berlin in the 1920’s.
not good
This was an interesting book about pre World War II Berlin. Part one of a two volume set. I wasn’t intrigued enough about the plot to purchase the second book.
A little slow at the beginning but stayed with it and it did improve.
Good view of the 1920 era.
Too slow couldn’t stay awake