FINALIST FOR THE BOOKER PRIZE 10 BEST BOOKS OF 2017, NEW YORK TIMES BOOK REVIEW WINNER OF THE L.A. TIMES BOOK PRIZE FOR FICTION and THE ASPEN WORDS LITERARY PRIZE “A breathtaking novel…[that] arrives at an urgent time.” —NPR “It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future… At once terrifying and … oddly hopeful.” —Ayelet … and gave us a road map to our future… At once terrifying and … oddly hopeful.” —Ayelet Waldman, The New York Times Book Review
“Moving, audacious, and indelibly human.” —Entertainment Weekly, “A” rating
A New York Times bestseller, the astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands.
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . .
Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.
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A glimpse into a world most of us are too fortunate to experience.
His narrative is rather convoluted and winding. But once you get into the style, the story progresses in surprising directions. It gives a scary picture of what the future may be leading towards. And also brings with it the realisation that such concerns have existed throughout human history. In its way it’s a masterful piece of literature. I’d definitely recommend it.
Exit West is a wonderful novel about two young people who fall in love in a presumably Middle Eastern country that is never named but happens to be, like so many Middle Eastern locations in these times, on the verge of collapse. One minute Nadia and Saeed are flirting innocently over coffee, and the next they are dodging bullets and witnessing atrocities to neighbors who have been singled out by militants for reasons that are uncertain. At some point it becomes clear that in order to survive, the young lovers must leave their country, which requires that they pay someone to show them the whereabouts of a “magic door.” Magic doors are on the rise everywhere in this novel, but as collapsing countries are too, they are absolutely necessary. The problem is that once you are a refugee, you are a refugee wherever you go, and as there are no guarantees regarding what country you will wind up in once you pass through one of these portals, you are likely to either find yourself on the run from people who hate refugees or in refugee camps where your basic needs may or may not be met.
Hamid’s writing is fluid and straightforward and works brilliantly alongside the bits of magical realism he injects into his story. And his ending is generous, considering the subject matter, maybe even hopeful
An excellent literary read.
One of my absolute favorite novels – so creative, insightful and deftly written. It stays with you well after you finish.
I found this book to be quite thought provoking.
An interesting twist on navigating emigration.
Thanks to NetGalley and to Penguin for offering me an ARC copy of this book that I freely chose to review.
This is another one of the books longlisted for the Man-Booker Prize (now I only have one left of the ones I discovered sitting on my list. I might even finish reading it before the short-list is announced, I believe on the 13th of September). In this case, like in a few of the previous ones, although the author, Mohsin Hamid, is fairly well-known, this is the first of his books I read. Some of the reviews compare it to his previous books, especially to The Reluctant Fundamentalist (I don’t know about the book, but I love the title, for sure), but I can’t comment on that. I can tell you that having read this book, I am curious to read more of his works.
This is another fairly peculiar book. Let me tell you beforehand that I really enjoyed it. Like many of the other books selected, the author seems to go out of his way to ignore most of the rules that those of us who read articles and books on writing are so familiar with. He tells a fair bit more than he shows (although there are some bits of showing that make up for it), he uses run-on sentences and paragraphs that sometimes go on and on (if you read it as an e-book, full pages). The punctuation of the said paragraphs is ‘alternative’ at best (quite a few reviewers have taken issue with the use of commas). And the genre is not well-defined.
The novel seemingly starts as a love story between two young characters, Nadia and Saeed, who live in an undetermined Middle-Eastern country. He is shyer, more serious, and has certain religious beliefs (although he is not obsessed or particularly orthodox). She wears a long, black robe, possibly as a protection (although her explanation of it varies throughout the story) but never prays. He comes from a happy and learned family; hers was well-off but not particularly supportive. They meet at a time when the political situation of their country is getting complicated, they almost lose each other and eventually, due to a tragedy, end up together, but never formally so. At some point, life becomes so precarious and dangerous that they decide they must leave.
The story, told in the third-person, that most of the time shares the point of view of one of the two protagonists (and briefly that of Saeed’s father), at times becomes omniscient, interspersing short interludes, which sometimes are full stories and sometimes merely vignettes, of characters that appear extraneous to the story. (And they are, although perhaps not).
The story up to that point, apart from these strange interludes, appears fairly realistic, if somewhat general (no specifics are shared about the country, and the narration is mostly circumscribed to the everyday experiences of the characters). Then, the characters start to hear rumours about some ‘doors’ that allow those who cross them to arrive at a different country. There is no explanation for this. It simply is. Is this fantasy, science-fiction (but as I said, there is no scientific explanation or otherwise, although the setting appears to be an alternative future, but very similar to our present. Extremely similar), or perhaps, in my opinion, a touch of magic realism?
People start migrating en masse, using the doors, most to remove themselves from dangerous situations, and despite attempts from the richest nations to control it, more and more doors are appearing and more and more people are going through them, and that changes everything. Many of the western nations end up full of people from other places, squatting in empty houses (like the protagonists do in London, Chelsea and Kensington to be precise), setting up camps, and the political situation worsens, with confrontations between the natives and the new arrivals, before a sort of equilibrium is reached. The two main characters move several times, and their relationship develops and changes too. (I am not sure I could share true spoilers, but I’d leave it to you to decide if you want to read it or not, rather than tell you the whole story).
The book deals with a subject that is very relevant, although it has been criticised for using the allegory of the doors to avoid discussing and describing one of the most harrowing (sometimes lethal) aspects of the experience of illegal immigrants, the passage. Nonetheless, this novel sets up a fascinating hypothetical situation, where there are no true barriers to the movement of people between countries and where all frontiers have effectively disappeared. What would actually happen if people were not waiting outside to come in, waiting for governments to decide what to do with them, but suddenly found a back door, and were here, there, and everywhere? What if they refused to leave? What would happen then?
I enjoyed some of the interspersed stories, some magical, some of discovering amazing possibilities, some nostalgic. I also loved the language and some of the more generalised reflections about life, people, and identity (like the different groups of people who claimed to being ‘native’ in the USA, for example). We observe the characters from a certain distance at times, but we are also allowed to peek into their inner thoughts and experiences at other times. Although we might not have much in common with either of them, we can easily relate to them and put ourselves in their shoes. We don’t get to know much about some of the other characters, but there is enough for the readers to imagine the rest and fill in the gaps.
The book meanders and at times seems to stay still, just observing the new normality, as if it was trying to tell us that life, even in the most extreme circumstances, is made of the small everyday things. A few quotations from the book:
Nadia had taken one look at Saeed’s father and felt him like a father, for he was so gentle, and evoked in her a protective caring, as if for one’s own child, or for a puppy, or for a beautiful memory one knows has already commenced to fade.
Every time a couple moves they begin, if their attention is still drawn to one another, to see each other differently, for personalities are not a single immutable colour, like white or blue, but rather illuminated screens, and the shades we reflect depend much on what is around us.
…and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can’t help it. We are all migrants through time.
…the apocalypse appeared to have arrived and yet it was not apocalyptic, which is to say that while the changes were jarring they were not the end, and life went on, and people found things to do and ways to be and people to be with, and plausible desirable futures began to emerge, unimaginable previously, but not unimaginable now, and the result was something not unlike relief.
This is a book that questions notions of identity, beliefs, nationhood, family, community, race… It is dark at times, full of light at others, sad sometimes, and sometimes funny, and it is hopeful and perhaps even utopic (not something very common these days). I am not sure everybody would define the ending as happy (definitely is not the HEA romance novels have us accustomed to) but perhaps we need to challenge our imagination a bit more than traditional storytelling allows.
This is another novel that is not for everybody but perhaps everybody should read. If you are prepared to cross the door of possibility you might be amazed by what you find on the other side.
Not much. Weird and boring.
Sometimes listening to an author’s interview at the right time can you make read their novel. This interview on the Guardian Books podcast made me want to read Exit West by Moshin Hamid. He spoke about hopefulness towards immigration and how we are all migrants. I have moved several times in my life (one move was across the country) and his thoughts about being a migrant resonated with me.
The story revolves around Saeed and Nadia, a young couple, trying to navigate their lives in an unnamed Middle Eastern city. It seems their life will change for the better when they went through several doors that lead them to various locations around the world. On the surface, the doors seem to be a magical lottery ticket. However, the couple learns quickly that life as a refugee is inescapable.
Hamid creates compelling characters in Saeed and Nadia but the narrative had a gentle and distant quality that reminded me of Station Eleven. Even though, those two novels are not alike. I felt as a reader that distance to the main issue (immigration and refugee life in this novel and a dystopia in Station Eleven) were similar in tone. Maybe, the distant tone to the theme provides another layer needed to tackle the terrain both books covered.
I read this novel in two nights and was engrossed by the story the entire time. Also, Exit West has given a different perspective about immigration and what refugees deal with on an everyday basis. Exit West will be one of my favorite reads of 2018 and I highly recommended it.
Fascinating insights into how quickly life can turn. Insights into being a refuge or immigrant. Must read for any and all informed Americans.
Creative and great imagery of a dystopian world. A bit tough for my little old brain to follow.
It makes you feel that you are right there with the characters in a third-world country. Emotions rang true, but halfway through, when the magical realism started, I didn’t like it. Then, by the end, it won me over again. I understood the role/need for the magical realism.
What if refugees all over the world could escape their war-torn countries by stepping through mysterious black doors? This timely novel addresses the world refugee crisis through the story of Nadia and Saeed, who struggle in their native, unidentified, Middle East country, then escape to London and eventually California. Read it for the compelling story and also for its assessment of the state of the world today.
Good book. I was a little confused by what the author termed as “doors” which described refugees going to a new country. However, the story was well done and gave the reader insight into what it would feel like to be a refuge.
Exit West provides insights into Pakistan culture, the heartbreak of becoming a refugee, the difficulty of leaving ones home and the strains on relationships. It is a timely book
Great book club discussions
When I got Exit West out of the library I wasn’t sure what to expect. It’s an enjoyable read that I finished in one day. I enjoyed the sparseness of the story. It tackles a lot of issues that are relevant to our times.
A strange mix of omniscient writing that is both removed and yet very personal. We are in a magical realm that is so strongly attached to our current world, that you almost believe that there are doors that lead from war torn areas to various other countries that provide varying amounts of sanctuary. Fascinating.
Stupid book. Not realistic and leaves many gaps in the flow. Introduces unrelated snippets that are unrelated to the story.