NEW YORK TIMES BESTSELLER • A gripping novel about the whirlwind rise of an iconic 1970s rock group and their beautiful lead singer, revealing the mystery behind their infamous breakup—from the author of The Seven Husbands of Evelyn Hugo and the new novel Malibu Rising, available now!REESE’S BOOK CLUB PICK • IN DEVELOPMENT AS AN ORIGINAL STREAMING SERIES EXECUTIVE PRODUCED BY REESE WITHERSPOON … STREAMING SERIES EXECUTIVE PRODUCED BY REESE WITHERSPOON
“An explosive, dynamite, down-and-dirty look at a fictional rock band told in an interview style that gives it irresistible surface energy.”—Elin Hilderbrand
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The Washington Post • Esquire • Glamour • Real Simple • Good Housekeeping • Marie Claire • Parade • Paste • Shelf Awareness • BookRiot
Everyone knows DAISY JONES & THE SIX, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ’n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
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Fun read
Wonderful book that I devoured in two days! Great characters and an unusual writing style.
I listened to the audio version which was superbly performed. Such a unique structure for a novel, it captured the group dynamic and the time period so well. TJR wrote with expert musical authority and a knowledge of song writing. A great novel that memorializes an era of great rock bands.
I did not like the narrater enough to even finish this novel.
I think the hype of the book was so high I was let down after I read it. I could not connect with the characters. It was just ok for me.
Another book by Taylor Jenkins Reid that I’ll be thinking about for a long time. A story of fame, excess, creation and love that twists everything you think you know about each of those.
Oh my goodness I loved every second of this book. It’s deceptively deep and impossible to put down. Set aside a whole day (or a weekend) and read this book!
Absolutely loved this book!
This will be a new all-time favorite. I had so many feelings reading this book. The anonnations I made in this book are more like personal journal entries than insights into the words on the page. I connected with this book as an artist and as musician. I connected with Daisy and Billy so much. This book is not going to be for everyone, but I will still recommend to everyone.
All characters are so well-written and complex. They’re all so HUMAN! Personally, this is what I look for in books, either when I’m reading or writing them. Believability. Consistency. Flaws. It’s the imperfections, the rough edges, the raw parts that make us truly connect with one another. I loved and hated all of these people at some point, I pitied them and got angry with them, I understood them and judged them – and this rollercoaster was one of my favorite parts of reading this. All the feels!
I am head over heels in love with the book. I love Reid’s early books and I thought Evelyn Hugo was an interesting change in direction for her. Her newest book, Daisy Jones & the Six, is nothing short of SUBLIME. I loved everything about this book—the characters, the story, the brilliant way its structured in interview format so that all of the band members and people who support the band can share their side of the story. Reid did an unbelievable job creating the characters and giving them all unique stories and different voices. And, I almost never cry when I read—this one is the rare exception. The ending was surprising, stunningly beautiful and heartbreaking in the best possible way.
I listened to the audio which added another wonderful dimension to the novel. The cast is off the hook! Jennifer Beals gives a haunting performances as Daisy, Judy Greer is great as Karen…I could go on. The entire cast knocks it out of the park. It was a completely enthralling and immersing read. I couldn’t wait to get back in the car so I could listen more.
THIS IS A MUST READ!!!!! Also, if you can listen on audio, definitely go that route.
5 out of 5 stars!
Another fantastic book by Taylor Jenkins Reid! I love “The Seven Husbands of Evelyn Hugo” and I loved this book just as much. I really feel that Taylor Jenkins Reid’s books read best as audio books and this was the best audio book I have listened to. The cast was phenomenal. Jennifer Beals as Daisy,Pablo Schreiber as Billy and Benjamin Bratt as Graham and January LaVoy as Camilla were brilliant but for me Judy Greer really knocked the role of Karen Karen totally out of the park. Karen also happened to be my favorite character.
A wonderfully written,addictive and intoxicating novel that tells the story of Daisy Jones & The Six, the rock and roll scene from the 60’s. Sex, drugs, rock n roll and of course love and heartbreak. The Six were doing well as a band, a hit here or there, your name on everyone’s lips and yet there is something missing. That something is Daisy Jones, a groupie girl with a beautiful rough voice who also happens to be an extremely talented song writer. Daisy and Billy together? Fireworks! The problem is that Billy is happily married.
I loved the tangled relationships between the band members. This book really felt like you were back there with the band in the late 60’s/70’s. I devour books from this time. One of my all time favorite books is “I’m with the Band” by Pamela Des barres. This book really has that feel to it. I also couldn’t help but see Daisy as Stevie Nicks in a lot of ways. Hell, the band felt like Fleetwood Mac and the big album? Totally felt like Rumours!
There is a very “blink and you miss it” call back to “The Seven Husbands of Evelyn Hugo”. Just a few sentences but it was kinda cool.
If you are worried to read this after falling in love with “The Seven Husbands of Evelyn Hugo” don’t be. It is different of course but it is a wonderfully written book!
5+ STARS!!
I have read every TJR story and enjoyed every single one, but in my opinion, I just finished her best to date. This author might have veered from the women’s fiction/romance genre that first attracted me to her writing, but she has cemented her status as a favorite author with her evolving and evocative storytelling.
I’ll be the first to admit that romantic tension is a draw and keeps me turning the pages. Even if the romance is subtle, secondary, and not at all intrinsic to the overall story, it can be reading motivation. When a story doesn’t have that particular ingredient, there has to be something else strong enough to keep me invested. Daisy Jones & The Six was not a romance, but it had multiple elements that kept me consumed within its multi-layered story line – compelling historical timeline, unique formatting, attractive characters, and a fabulous story arc.
While I think the story would be wonderful regardless of medium, I strongly believe that this is a book that is best experienced through its audio production. I will most always choose reading if offered a choice, but not Daisy Jones. When I saw the incredible cast of narrators for this audio prior to its release, I knew it was a must-listen. The unique story formatting translated extremely well to audio and it was absolutely BRILLIANT! Each narrator brought life to their character with well-timed voice inflections, pauses, laughter, etc. These actors/narrators didn’t just read the book, they embodied their characters. Their performance convinced me that somehow I missed this rock band growing up and that I now need to buy any and every record I can find to listen to ad nauseum.
Like the best VH1 Behind the Music episode but more. The style fits the story perfectly, and the characters are broken but fascinating. I read the whole thing wishing I could listen to Aurora and wanting to Google the cover art.
I still haven’t stopped thinking about this book half a month later. I’m so excited to reread the audio because I’ve heard absolutely amazing things.
Now, I wanna start by saying, this format may not be for everyone. I’ve read some reviews of people not connecting with the story because of the format, and that is 1000% valid. But, it totally worked for me. It made the book go by so fast for me. It feels almost like a documentary and I loved it.
The women in this book are such a highlight. Camila is my hero and I fell more and more in love with her throughout the book. She was sure of what she wanted and wasn’t willing to let anyone get in the way of her happiness. She wanted Billy and didn’t let anyone, not even Billy sabotage it. She was tough and determined and I loved her.
I also loved Karen so much. I didn’t connect with her as much, but I loved how she knew what she wanted and wasn’t willing to compromise. Sometimes being true to yourself is hard, but she knew what she needed to be happy and went for it.
I loved watching the growth of Daisy and the growth of the band and watching them come together. Now I just need this soundtrack to be real, cause I’ll be listening to it day and night.
Despite the fabulous reviews, I thought this book was awful. In fact I skipped past many chapters. I’m glad everyone else enjoyed it. I did not.
Thanks to NetGalley and to Random House UK, Cornerstone, for providing me an ARC copy of this book that I freely chose to review.
This is one of those novels where I was intrigued to read what other reviewers had said, and, curiously enough, one of those where I could see the point of both, those who really loved the book, and also those who hated it. Somehow, I could see the merit on both types of opinions, and it really depends on the kinds of books you enjoy or not. A couple of provisos, here. Many of the reviews talk about the author, and especially refer to one of her previous books, The Seven Husbands of Evelyn Hugo, which seems to be a well-loved novel, and for people who had loved that book, their expectations were very high, and some found this book too different (some fans of the writer also loved this book, so don’t let that put you off). I haven’t read any of the author’s previous novels, so I cannot help with that. After reading the reviews and this novel, I became curious about her other books, but I come to it without any previous knowledge. The second proviso is that quite a few people compare the ‘fiction’ band at the heart of the story, The Six, that is later joined by Daisy Jones, with Fleetwood Mac (with Daisy Jones then being a stand-in for Stevie Nicks), but I must confess not to know enough about the ins and outs of this band to be able to comment (I was quite young when they were at the height of their popularity, and I never read much about them, although having read a bit about them since, yes, I can see similarities, but I can also see differences). So, if you are a big fan of Fleetwood Mac, you might be more intrigued to read this novel, but you might also hate it. You’ve been warned.
So, what are the comments on both sides that I agree with? The way the story is told will not be to everybody’s taste. This is the story of the band, and of Daisy Jones, pieced together through interviews conducted many years after the band was created, and that makes it very fragmented. It does follow a chronological order, and we get to know about Daisy Jones, and about the Dunne Brothers (Billy and Graham), from before they got into singing, composing, and playing songs, and later on the rest of the members of the band, Camila (Billy’s girlfriend and later wife) and their manager also come into play. These fragments of interviews often refer to the same events, providing the reader different points of view, and sometimes completely different descriptions, but it can cause a disjointed effect, and it will suit some readers but others will hate it. Personally, I found it fun and quite dynamic, but it is true it does not immediately create a picture of what’s going on in one’s head, in the same way as more standard narratives do.
There were also a lot of comments about the characters, and how some of them were one-dimensional and it was difficult to tell them apart. As I have said before, the story starts with the origin of the band (we later learn why), and then we only get to hear from the rest of the members as they join the band or meet the other characters. For me, Pete, Eddie and Warren were not distinctive enough. Yes, Eddie always seemed to have issues with Billy and didn’t like his style of leading the band. Pete had a girlfriend in the East and he would phone her often, and Warren was the drum player, but other than that I’m not sure I got a strong impression of who they were, and when later in the book one of them wanted to leave the band, I realised that I must have been told two of them were brothers already, but because that hadn’t feature prominently anywhere (after all, the interview is about the band, their tours, and their records, and the questions asked are mostly about the time they spent together), it had not registered with me. Camila is talked about a lot, because many of Billy’s songs are about her, and although she seems to represent an old-fashioned model of femininity, the staying-at-home Mom, she gets involved at crucial points and she has a more important role than one might think when the story starts. I did feel that the female characters were the strongest, and although that did not make them immediately sympathetic and likeable, I thought they were the more complex and the ones I most enjoyed. I liked Karen (I’m not a musician, but I did feel a connection with her) the keyboard player, as well, and she is, perhaps, my favourite character. And I quite liked Daisy’s friend, Simone, also, although she is mostly portrayed as her friend, rather than being an individual in her own right, and that comes in part from her telling Daisy’s story and her role in it rather than giving us much insight into her own character. Although Daisy marries at some point, Simone is more of a steadying influence for her, like Camila is for Billy, than any of the men she meets and talks about in the book. But I agree, the way the story is told does not make for fully rounded characters, although many of the situations will feel familiar to people who have read a lot of biographies of rock & roll bands.
Some reviewers were disappointed by the ending, that perhaps feels more like a whimper than a bang, but I thought it made perfect sense, and yes, there is something I’ve seen described as a twist, that is perhaps not truly a twist, but it helps join everything together and adds a nice touch.
I am not an expert on music, and not a big follower of bands. I have not been to many concerts, although even with that, it is difficult not to have heard or read about the use of drugs, wild parties, hotel rooms trashed by bands on tour, groupies following bands from city to city, and the paraphernalia around the 1970s world of rock & roll music scene. There is plenty of that here, and also of envies, of fights, of creative differences, of the process of composing, creating, and editing an album, down to the shooting of the cover, that will delight people who really love the period and reading about it. Even I, who am not knowledgeable about it, enjoyed it, particularly learning more about the process of creation, although it might not sound authentic to people who truly know it. The writer gives the different characters (at least the main ones) distinct voices, and the lyrics of the songs, that are also included in full at the end, fit perfectly in with the band and its themes, and it made me keen on reading more of the author’s novels.
There is more than R & R to the book, or perhaps some of the themes seem inherently related to it, like drug addiction, family relations, alcoholism, abortion, fatherhood, bringing up children, the role of men and women in the family, child neglect and abuse… Although some of them are only mentioned in passing, we get a fuller picture of others (Daisy is very young when she leaves her parents and starts visiting bars, taking drugs, and engaging in behaviours that would be considered risky at a much older age, and drug and alcohol addiction and its consequences are discussed in detail), and readers must be cautious if they find those subjects upsetting.
I have talked a bit about the characters and said which my favourites are. In some ways, Billy and Graham are the most sympathetic to begin with. Their father abandon them when they are very young, and they work very hard, are talented, and support each other through thick and thin. However, when Billy becomes addicted to drugs and then gets sober and becomes the head of the band, he puts himself and his family first and is not always likeable (even if creatively he sounds interesting). Daisy, on the other hand, sounds at first like a rich-spoiled girl, but her family pays no attention to her, and she is in fact neglected. She is selfish and egotistical as well, but she has no role models or understanding. I liked her attitude, but not her in particular, at least at first, and her behaviour will be alien to most people (although typical of the image we might have in our head about what a rock star would be like). However, the way the story is told gives us the opportunity to read her later reflections and the way she now sees things and how she evaluates much of what she did at the time. And although I didn’t particularly like the Daisy of the period (she is described as a magnet to everybody who met her, but I never had the feeling I would have liked it if I had known her), I came to appreciate the older Daisy and her take on things.
What did I think of the book? I really enjoyed it. It panders to most of our standard images of what the life of a rock & roll band would have been like at that time, but it gives an insight into parts of the process that I found interesting. It also creates some credible female characters that have made their own decisions and fought their own fights, and in the world of music that is not always easy to find. The way of telling the story worked for me, although I know it won’t work for everybody. I highlighted a lot of the story. I’d recommend possible readers to check a sample and get a sense of the narrative style.
Does it deserve the hype? Well, perhaps not for me, but it’s a good read and I can see why it will captivate some readers more than it did me. Oh, and for those who love audiobooks, I’ve read very good reviews of the audio version, and I understand that there is a full cast of narrators and each character is voiced by a different person, so it is worth considering.
If you are a rock & roll fan and enjoy trips down memory lane, especially to the 1970s, I’d recommend this book. And I hope to explore further novels written by the same author.
Can Taylor Jenkins Reid write something that isn’t GREAT!?
‘The Seven Husbands of Evelyn Hugo’ is one of my all time favorite books- and in all honesty I wasn’t taken with the idea of Daisy Jones and The Six but…
I WAS WRONG.
I mean, the way she captured the band’s music, the multiple and different POVs and of course the ups and downs of everything and everyone is just amazing.
I’m so glad it’s going to be made into a TV show because it’s one of those books that begs to be put on the screen.
Absolutely loved this book !!
You quickly get involved in the story of Daisy, Billy and the band. The author has told the story in narrative style and it works beautifully.
I loved everything about the book.
You can’t help but feel for all the characters, they are like family by the end of the book.
I so hated this book to end. I seldom reread books but this one I could read again !!
Thanks Taylor for a fabulous read
I loved this book! Drugs, Sex, and Rock & Roll in the late 70’s
Daisy Jones and The Six is told almost like a blend of interviews and narrative story. It had the feel of a music documentary and seemed incredibly real.
“I had absolutely no interest in being somebody else’s muse.
I am not a muse.
I am the somebody.
End of f**ng story.”
I started reading a paperback but then switched to audiobook version and loved the book even more. The audiobook was like a performance, a movie in my ears!
-5 Stars-