A New York Times Notable Book of 2018A devastating novel of multiple narratives, “a mark of Neel Mukherjee’s range and force and ambition” (New York Times Book Review).
A State of Freedom wrests open the central, defining events of our century: displacement and migration. Five characters, in very different circumstances—from a domestic cook in Mumbai to a vagrant and his dancing bear—find out … circumstances—from a domestic cook in Mumbai to a vagrant and his dancing bear—find out the meanings of dislocation and the desire to get more out of life.
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As I was reading the last pages of this uncomfortable and upsetting novel, my eyes were streaming. My grief was overwhelming.
What story set in India is easy to read? E. M. Forster’s Passage to India, depicting British racism and the confused heroine nearly destroying a native Indian man’s life because he was more attractive than her fiancé? Or Rumor Godden’s novels and stories set in the India of her childhood, and where she returned to live with her children, their cook adding ground glass to their food? I have never forgotten her short story Mercy, Pity, and Love where a man of privilege is thinking about this thesis as his wife is on a buying spree, while on the street an starving woman holds her dying baby.
No, India holds such poverty and cruelness next to its beauty and exotic attractions that it is not easy to encounter it.
“…but then he was hopeful and it’s hope that kills you in the end”–from A State of Freedom
A State of Freedom is a novel in five stories that are interconnected by characters, each story revealing that character’s life and challenges. The characters include native Indians crushed by poverty and desperately hoping for a better life, and those who have gone abroad and return to their homeland to see it with new eyes, the eyes of an outsider.
Can we go home again? We leave and the world changes us so that when we return we can not become again who we were. We know too much, we have assumed new values, or perhaps we just see with fresh vision what we had ignored before, familiar things we once accepted become horrors.
The first story concerns an native Indian who has brought his child to see the land of his nativity, and then is appalled by what they see, starting with a man falling from a tall building. He us upset knowing his child is being exposed to the harsh realities of poverty.
The second story concerns a man visiting his family who becomes overly friendly with the staff; invited to visit the cook’s home village he realizes he “had failed to imagine how other people live.”
The third story I could not read through; children find a bear cub and ask a man to teach it to be a dancing bear–which the father and son in the first story encounter. When they found the cub they were concerned for it, but the training is cruel and inhumane; the ending is horrifying.
The fourth story concerns Milly who works for the wealthy family in the second story, Her mother sent her away at age eight to be a domestic worker. When she asks when she will return home again, her mother tells her, you won’t come back. The girl is desperate to learn, to find a better life. Every few years she is moved to a new position. She finds herself virtually imprisoned in never-ending work. Until rescued from her tower by a clever man.
The last story is stream-of-consciousness, the thoughts of an ailing construction worker desperate to complete his job, his mind wandering to the boy in a car he had seen, wishing he could be “the pampered son of a rich man.” But he is betrayed, for neither he or the boy escape their mutual fate.
The novel is dark and painful. Why would I choose to endure such unhappiness? Why should one read this book?
One cannot change the way of the world, or the workings of a foreign society, but one can learn to see beyond the narrow limits of our comfortable world. We can understand how others live, we can learn mercy, pity and compassion.
I received a free ebook from the publisher through NetGalley in exchange for a fair and unbiased review.