#1 New York Times bestselling author Stephanie Laurens concludes the tales of the Cavanaugh siblings with the riveting story of the youngest brother and his search for a family of his own. The scion of a noble house brought low by a storm and the lady who nurses him back to health strive to unravel a web of deception that threatens her family and forces them to fight for what they hold most … dear—family, each other, and love. Lord Godfrey Cavanaugh has no thoughts of marrying as he drives into North Yorkshire on a plum commission for the National Gallery to authenticate a Renaissance painting the gallery wishes to purchase. Then a snow storm sweeps in, and Godfrey barely manages to haul himself, his groom, and his horses to their destination. Elinor Hinckley, eldest daughter of Hinckley Hall, stalwart defender of the family, right arm to her invalid father, and established spinster knows full well how much her family has riding on the sale of the painting and throws herself into nursing the initially delirious gentleman who holds her family’s future in his hands. But Godfrey proves to be a far from easy patient. Through Ellie’s and her siblings’ efforts to keep him entertained and abed, Godfrey grows to know the family, appreciating and, ultimately, being drawn into family life of a sort he’s never known. Eventually, to everyone’s relief, he recovers sufficiently to assess the painting—only to discover that nothing, but nothing, is as it seems. Someone has plans, someone other than the Hinckleys, but who is pulling the strings is a mystery that Godfrey and Ellie find near-impossible to solve. Every suspect proves to have perfectly understandable, albeit hidden reasons for their behavior, and Godfrey and Ellie remain baffled. Until the villain, panicked by their inquiries, strikes—directly at them—and forces them both to acknowledge what has grown to be the most important thing in their lives. Both are natural defenders of the weak and neither will give up. Together they battle to save not just themselves, not just her family, but their futures. Hers, his, and theirs. A classical historical romance set in North Yorkshire. Fourth and final novel in The Cavanaughs—a full-length historical romance of 90,000 words.
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The final book in The Cavanaughs series is finally here. I have really been looking forward to Godfrey’s book because he always seemed to be on the outside looking in. It wasn’t that he didn’t love his siblings and their families, it was just that with their horrendous upbringing, he had learned to hold himself apart. The love was there, it was just more ‘formal’. I wanted to see the woman who could get through that aloofness. I met her – I liked her – but, it was all sort of — meh. The story was neither exciting nor steamy. Don’t get me wrong, I enjoyed the read, it was a nice story, it just didn’t raise my pulse rate in the least. It seems I’ve been all over the place with this series – 4-stars for the first book, The Designs of Lord Randolph Cavanaugh – 5-stars for the second book, The Pursuits of Lord Kit Cavanaugh – and, 3-stars for the third book, The Beguilement of Lady Eustacia Cavanaugh. Now, I’m at 3.5-stars for this book and will round it to 3.
Given his family history, Lord Godfrey Cavanaugh learned very early in life to spot fake from real. While that applied mostly to people, he quickly learned he could do the same with art – especially paintings. He studied and honed his skills until he became the sought-after authority for authenticating paintings. The National Gallery asked him to travel to North Yorkshire, the home of Mr. Hinkley, who had offered to sell the museum a rare High Renaissance painting by Mariotto Albertinelli.
Godfrey runs afoul of a nasty winter storm and is nearly frozen when he finally arrives at Hinckley Hall – where he promptly falls over, totally unconscious. Between nearly freezing and then developing lung fever, he was confined to bed for over a week before he could begin his authentication. During that time, he got to know and became smitten with Hinckley’s daughter, Ellie.
Elinor (Ellie) Hinckley is a caregiver by nature. She always puts others first and herself last. That is why she is eight-and-twenty, unmarried, in the middle of cold Yorkshire, caring for her invalid father and her two siblings. Life has passed her by, but she is happy with her life – really, she is. She’s also contending with two suitors who want to marry her (or her family name/prestige/money) and don’t seem to want to take no for an answer.
When Godfrey can finally begin his work, he’s entranced with the documentation the family has kept over the years. Goodness – if the provenance is that good, he can’t wait to see the painting!
There is a villain afoot, and when Godfrey is attacked, it could be the end of his life. He’s shocked to learn who the villain is and when Ellie tries to save Godfrey, she’s in danger as well. The villain had panicked when he discovered the plans to sell the painting and made plans to act to thwart them. He nearly succeeded.
This is an enjoyable read and I am glad I finally got to see Godfrey’s HEA. However, it wasn’t particularly exciting nor passionate. I wouldn’t read it a second time, but I am glad I have read it.
Love all of her books and I never miss one.
Love Stephanie Laurens’ books.
You just can’t go wrong with a tale from Laurens! I really liked these characters and the plot of this book. I don’t do a synopsis for other readers but I’ll tell you that you’ll get swept away. Looking forward to reading the book.