WESTERN WRITERS OF AMERICA 2019 SPUR AWARDS WINNER! “[A] first-rate novel.”—True West magazine “Smith has written tight, fast-paced novels his entire career…and reading one is like riding a thoroughbred.”–The Chronicle Herald In the style of Cormac McCarthy, a gritty tale of justice and revenge in the Wild West. The year is 1910. Nate Cooper is an old-school cowboy. He sees the change brought by … year is 1910.
Nate Cooper is an old-school cowboy. He sees the change brought by the turn of the century—horses giving way to motorcars, his girlfriend marrying his best friend, and his nemesis running for governor—and reckons none of it to be good. The west is being tamed, and with progress, some things are lost. But people? They tend to stay the same. Even after spending nearly thirty years in a Montana prison for a wrongful murder conviction, Nate’s moral compass is true and unwavering: he does all the wrong things for all the right reasons.
So when he returns to his Northern Montana ranching town to find the Blackfoot Indians—the people he went to prison trying to defend—are still being cheated out of their territory by ranchers, Nate can’t rest on his laurels. With grit, determination, a quick trigger finger, and the help of the woman he used to love, Nate sets out to settle the score and force some justice in into the changing world. Before long, though, he’ll discover that justice doesn’t come cheap.
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Brad Smith has got the goods—he’s funny, poignant, evocative, and he tells a blistering tale. A writer to watch, a comet on the horizon.
Well written and interesting. Characters are vivid and appropriate for the time and place. Clean as well as romantic. Thank you to writers who do NOT use sex to sell.
From the soft click of a cue ball in a quiet saloon, to lovers on the run reuniting after thirty years, or the blast of a .44 at the final shootout, Brad Smith can really tell a story. He paints this elegiac tale of early twentieth-century Montana on a big canvas with the easy authority of Larry McMurtry’s Lonesome Dove and the unflinching violence of Dashiell Hammett’s Red Harvest, pulling the Western into this new era with heartbreaking intensity, where tenderness and threat exist in every character, and on every page.
The Return of Kid Cooper can claim a secure place in the canon of literature of the American West. Brad Smith’s tale of old-fashioned courage and western justice is reminiscent, in its high drama, wit, and splendid idiosyncrasy, of Lonesome Dove. I was reminded also of Annie Proulx’s laconic Wyoming stories, and that most iconic of Western loners, Shane.
The Return of Kid Cooper is a western set in the forgotten time between horses and the sterilizing of the American West. Kid Cooper is a classic tragic hero and Brad Smith’s rendering of him is full-hearted and poignant.
A tour de force. Brad Smith explores powerful universal themes while bringing to life unforgettable characters that make this book a must read. If Cormac McCarthy, Larry McMurtry, and Elmore Leonard collaborated on a book, it might sound very much like The Return of Kid Cooper.
Brad Smith is a writer with lots of skill, lots of heart, [and] lots of brains.
The Return of Kid Cooper is Brad Smith at his best — clear-eyed, tough-minded and true of heart. Smith — once a farmer, signalman, truck driver, bartender, teacher and carpenter — understands that work will take its toll, even when it’s the only thing holding a soul together. This is a powerful novel, fully felt and beautifully written.
Unexpected but utterly believable. I couldn’t put it down until the last page.
Well written. Characters history revealed piecemeal throughout the story.
Those who pass up this novel because they “don’t read Westerns” pay a sad price for their cliché mindset. Smith’s prose is lush in its concision, the characters ring authentic, the dialogue worth the whole book, the description of the setting and era is like being there. Driving themes of savage racism, crooked/selective justice, political corruption, hypocritical societal mores on aging and life after prison, and how love, honor, and moral obligation color those things—if it sounds familiar, it should, because for all the progress Kid Cooper resists upon his release from prison and all that’s come since the story’s 1910 setting, we’re left with an elegantly constructed unease the human condition hasn’t changed all that much. The ending is in a class with Don Berry’s “Moontrap,” and that’s high praise coming from me. Winner of the Western Writers of America Spur Award for Best Traditional Novel.
Good western. It is tough to love a cowboy.
I love books from the turn of the century. KID read like a movie. Loved it.
Well written; interesting story-line.
Liked the characters, interactions, subplots. Unexpected ending but not something ridiculous. Book held my interest.
I really liked this book…but the time in joint,makes no sense considering the year and the period. he should been out…whay before
great read
A cowboy who comes out of prison into a totally different world. Great characters. Good back story. It was very interesting and I didn’t want to put down.
I’m a avid reader of westerns from Louis L’Amour to Zane Grey and I can say this is the most well written western I have ever read.