Gabriel García Márquez colombian writer Gabriel García Márquez, 1990 .Graziano Arici/AGE fotostock
drumhead : This is the generator ’ randomness epic poem narrative of seven generations of the Buendía family that besides spans a hundred years of disruptive latin american history, from the postcolonial 1820s to the 1920s. Patriarch José Arcadio Buendía builds the utopian city of Macondo in the middle of a swamp. At first golden, the town attracts Gypsies and hucksters—among them the old writer Melquíades, a stand-in for the writer. A tropical storm lasting about five years about destroys the town, and by the fifth Buendía genesis its physical decrepitude is matched by the syndicate ’ second depravity. A hurricane last erases all traces of the city .
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By the end of the novel Melquíades has been revealed as the narrator ; his mysterious manuscripts are in fact the text of the novel. Critics have noted the influence of Argentine writer Jorge Luis Borges in the book ’ s labyrinthine illusion.
detail : widely acknowledged as Gabriel García Márquez ’ s finest work, One Hundred Years of Solitude tells the report of the fabricated colombian township Macondo and the rebel and fall of its founders, the Buendía family. Revealed through challenging temporal folds, characters inherit the names and dispositions of their family, unfolding patterns that double and recur. The mighty José Arcadio Buendía goes from audacious, charismatic founder of Macondo to a lunatic on its fringes. Macondo fights off plagues of insomnia, war, and rain. Mysteries are spun out of about nothing. This beguilingly colorful saga besides works out a wide social and political allegory—sometimes excessively phantasmagoric to be plausible, at times more real than any ceremonious naturalism could afford. An exemplification of alleged magic trick realism, this allegorical texture incorporates a sense of the foreign, fantastic, or incredible. possibly the key sociopolitical exemplar is the apparent slaughter by the army of several thousand striking workers whose dead bodies seem to have been loaded into cargo trains before being dumped in the ocean. Against the smoke screen of the official version, the massacre becomes a nightmare lost in the fog of martial law. The vanish ’ s true history takes on a reality strange than any conventional fiction, demanding fabrication for the accuracy to be told. While the novel can be read as an option, unofficial history, the imaginative report telling brings to the foreground sensuality, sleep together, familiarity, and unlike varieties of privation. Imagine the brain and mystery of the Arabian Nights and Don Quixote told by a narrator capable of metamorphosing from Hardy into Kafka and back in the course of a paragraph. García Márquez may have spawned awkward imitations whose excessively cagey inventions merely tire, but this is a foreign and moving account of solitude.
