The claim character of The Stranger is Meursault, a Frenchman who lives in Algiers ( a pied-noir ). The novel is celebrated for its first lines : “ Mother died today. Or possibly it was yesterday, I don ’ t know. ” They capture Meursault ’ mho anomie concisely and brilliantly. After this introduction, the reviewer follows Meursault through the novel ’ s first-person narration to Marengo, where he sits vigil at the topographic point of his mother ’ s death. Despite the expressions of grief around him during his beget ’ s funeral, Meursault does not show any outward signs of distress. This absent nature continues throughout all of Meursault ’ sulfur relationships, both platonic and quixotic.
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Raymond, an unsavory friend, is finally arrested for assaulting his schoolmarm and asks Meursault to vouch for him to the patrol. Meursault agrees without emotion. Raymond soon encounters a group of men, including the buddy of his schoolmarm. The brother, referred to as “ the Arab, ” slashes Raymond with a tongue after Raymond strikes the man repeatedly. Meursault happens upon the affray and shoots the buddy dead, not out of revenge but, he says, because of the disorienting heating system and vexing luminosity of the sun, which blinds him as it reflects off the buddy ’ s knife. This mangle is what separates the two parts of the report.
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The novel ’ s second depart begins with Meursault ’ s pretrial doubting, which chiefly focuses on the accused ’ mho unfeelingness toward his mother ’ s funeral and his murder of “ the Arab. ” His miss of compunction, combined with his lack of sadness expressed toward his mother, works against him and earns him the nickname “ Monsieur Antichrist ” from the examining magistrate. During the trial itself, Meursault ’ s character witnesses do more damage than beneficial, because they highlight Meursault ’ s apparent apathy and disengagement. finally, Meursault is found guilty of murder with malice aforethought and is sentenced to end by guillotine. As he waits for his impending death, he obsesses over the hypothesis of his entreaty being accepted. A chaplain visits Meursault against his wishes, only to be greeted by Meursault ’ mho acute atheistic and nihilistic views. In a cathartic explosion of rage, Meursault brings the chaplain to tears. This, however, brings Meursault peace and helps him to accept his death with afford arms.
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